FWIW.. in the RE-301 you have 3 static impedence choices to switch
to. one for line level (keyboards), one for guitar/bass, and one for
Mic. As well there is an input gain control/peak level control.
While I sought to stay as close to the original circuit as possible, I had to
incorporate some other things in order for you the guitarist to
not to have to run 50ft of guitar cable,etc..
Also there wasnt a real need to have that 3 pos. switch for the input and 3 pos. switch for the recovery so... you effectively have a rotary control that lets you run from setzers usual sound up to the max
gain avail on the preamp of the RE301.
That would be -50db on input switch and -50db on the output switch.
When you do switch to that high impedence setting on an RE-301 and turn the input peak level just where the clip light starts going on... the Gretsch's volume control behaves exactly like when plugged into the
Nocturne.. more or less you have full signal until you turn the guitar vol.
down and then the taper just dissappears.
In that regard,
the Nocturne is behaving just as the re301 does.
If.. and only when I switch the input selector db of the RE301 back to
"instrument" , turn the input gain up to 2 oclock and then plug in some freakin 40ft of cable, crank the amp up to 6 and dime the treble and presence of the amp, can I get a decent volume taper (swell) from the gretsch volume pot. This is what you see setzer doing and is totally impractical for ANY gig most players are allowed to play at in most venues.
Again this is why I made this Nocturne pedal... a practical application, although I never considered volume swells cuz I dont do em..my bad.
I think I may have to try a 500K reverse linear taper pot on the guitars master volume... that might give you exactly what you want??
thanks for the heads up and definitely share whats happening, it helps big time.